Thursday, September 22, 2011

I WIN...ANOTHER LEGAL PRECEDENT IN THE BATTLE FOR THE RIGHTS TO MY WORK


from: Nicola Saunders
Subject: Re: color him in album by Jameson
Date: September 22, 2011 2:22:00 AM PDT
To: Bobby Jameson


Dear Mr Jameson,

Further to the correspondence below, I can confirm Color Him In will be removed from iTunes on 27th September 2011. This process takes 5 business days and cannot be done immediately, but please be assured that the process of removing this album has commenced and will be completed as soon as possible.

Please let me know if there is anything else you need.

Kind regards

Nicola  

Monday, September 19, 2011

Cease And Desist...COLOR HIM IN Illegally Hosted On Itunes


From: bobbyjameson@
Subject: COLOR HIM IN album by Jameson on itunes
Date: September 19, 2011 3:45:47 PM PDT
To: enquiry@startentertainments.com
Cc: copyrightagent@apple.com
Reply-To: bobbyjameson@

I, Bobby Jameson aka Robert Parker Jameson aka Jameson hereby demand on this 19th day of September, 2011, that Start Entertainments Limited UK and it's subsidiary nostalgia music UK remove at once, from itunes music, my protected work COLOR HIM IN. I , Bobby Jameson aka Robert Parker Jameson, am the artist/performer, writer/composer, and publisher of this protected work. I own any and all rights to this work. Start Entertainments Limited Uk and nostalgia music UK have no legal rights or authorities of any kind regarding the aforementioned work COLOR HIM IN.

My telephone # in the U.S. is

I expect an an immediate response to this email.....Start Entertainments Limited UK and it's subsidiary nostalgia music UK are guilty of violating U.S. copyright law, International copyright law, and my rights, by alleging to itunes music, Apple Corp, or anyone, anywhere, that they have the legal right to claim ownership and or any rights whatsoever to the work COLOR HIM IN, which is the property, in it's entirety, of one Robert Parker Jameson aka Bobby Jameson aka Jameson.

Regards, Bobby Jameson aka Robert Parker Jameson aka Jameson

Wednesday, August 17, 2011

Songs....and Record Companies...

Copyright Law Record Industry Braces for Artists’ Battles Over Song Rights...click on copyright law for story.

Friday, June 17, 2011

Wednesday, June 8, 2011

Me and the internet

Below is a list of records I made in the 60's. I received nothing for these records with the exception of $200 for Songs Of Protest in 1965.

Click on any pic to make larger







Vietnam Mondo Hollwood






Tuesday, January 18, 2011

Early 45's Bobby Jameson

My first single from 1963...labled as Bobby James.



Second Talamo single 1964

Sunday, January 2, 2011

Bill Jameson Art Project by Bobby Jameson 2011



My brother Bill has been drawing and painting his whole life. He is a schizophrenic but continues to create art in one form or another to this day. In 1965 he wrote Too Many Mornings,"That's The Way The World Has Got To Be"(part 2) from the 1965 album Songs Of Protest And Anti Protest by Chris Lucey aka Bobby Jameson. These are his words set to music which I sang on that album. The pictures are his from various time periods.

Friday, December 24, 2010

Open Letter To Paul Williams....President of ASCAP....




The trouble with ASCAP is that it is run by people who are so successful that little people fall by the wayside, and are repeatedly unprotected and unpaid by the likes of ASCAP as well as BMI, and others. My personal experience with ASCAP and the others is so bleak....that I feel this message will be no more than a distant cry from the wilderness by one of those who has never been served, in any capacity, by the company you are now president of. The spotlight once again shines only on those who have been fortunate enough to be paid for their work, while others like myself have not...Bobby Jameson

Sunday, November 21, 2010

Keith Richards refers to Bobby Jameson as P J Proby's valet









All I Want Is My Baby by Bobby Jameson 1964



"It is not the remark by Keith Richards in his book that bothers me...it is the context that the remark was made that is troublesome."

Richards was being asked about Bobby Jameson, who in 1964 recorded a couple of early Rolling Stones' songs, All I Want Is My Baby and Each and Every Day of the Year. In his autobiography, Keith Richards refers to Jameson as "PJ Proby's valet".

http://www.guardian.co.uk/music/musicblog/2010/nov/10/savage-song-bobby-jameson

Richards and Oldham wrote "All I Want Is My Baby" and Bobby Jameson sang the lead vocal on both sides of that single. Keith is listed as the musical director on the record, while Oldham is the producer, with Jagger, Oldham, and Jameson all singing back up vocals.

"The real problem I have with Richards remark is that I was never paid a penny for doing this record. It was released as a single worldwide on Decca and London Records, and can be found on multiple albums of Rolling Stones involved work since 1964.

In the last forty five years I haven't gotten anything for it, so it seems belittling me at this point, after I already got fucked over by Oldham, Richards, Jagger, Decca, and whoever else has had anything to do with the record is a little pathetic.

If you're going to badmouth another artist I would suggest that it not be one you screwed out of any money you might owe him Mr. Music Director."



* * *


ME, MICK, and ANDREW IN THE STUDIO

After some time, everybody ended up in the studio with Andrew. I had not heard anything up until then about what he wanted to work on with me, so it was a burning question in my mind.

For a couple of months, before ever coming to England, I'd wondered about what we would do and now was the time! I was about to be told what Andrew's ideas were and what my part in it would be. He said he was going to play me a track that he'd already recorded called "All I Want Is My Baby".

He signaled the engineer to roll the tape and I listened intently to what came out of the speakers. It sounded a bit like a Phil Spector track, but not as well organized. In the middle of the song was a guitar solo on fuzz tone, that at that time was pretty off the wall.

You gotta remember this was before Jimmy Hendrix and the feed back guitars of a year or so later. I liked the guitar thing but the song didn't sound like anything remotely close to what I did. The tape came to an end and Andrew and Mick looked at me in anticipation of my reaction.

"Well whatta you think Bobby, is that fucking great or what, man?" asked Andrew. I was stuck. I didn't want to say the wrong thing, but I didn't want to be forced to lie about my opinion either. "Yeah, well that's pretty cool, Andrew, and I really like that guitar part, but I don't know if it's my kind of song, I mean something that I'd do."

There was an uncomfortable moment. "Well let me play it again and show you how the vocal's supposed to go so you can get a better idea of what I want," said Andrew. "Ok," I said reluctantly.

I felt the world shifting again and I didn't know what to do except go along with him. I eyed Peter and Lee to look for support but they seemed unaware of my growing discomfort with the song. Andrew again signaled for the tape to roll and the song boomed out again through the studio.

Andrew had the lyrics and started singing them for me and Mick was filling in with back up chorus stuff. It was quite a spectacle. I tried hard to concentrate on what Andrew wanted and eyed the lyric sheet trying to sing what he was singing. I felt like shit inside and that old, "I don't want to do this," part of me was kicking my ass.

I just kept bearing down on the work in front of me trying to latch on to the feel of the song, but it was no good. I waved at Andrew to stop the tape so I could talk to him and the studio went quiet. "What's wrong Bobby?' he asked.

"Look Andrew, I said, "I don't think this is my kinda song. Can't I play you a couple of things I wrote so you can get an idea of how I sing?"

He looked at me and said "No. I'm not interested in hearing your songs right now. I need you to concentrate on this song and get the vocal right, because I know you can."

He had said no and challenged me at the same time. He was trying to get me to go along with him, so I said "Ok play it again." The song played over and over and over. It got better, but I never thought it was much good. My vocals were just disconnected. I was jet lagged and miserable.

I was ready to walk out but stayed. Andrew suggested cutting my vocal with the track so I could get a better idea of what it sounded like by hearing it. I agreed and we pushed on. At one point Mick and Andrew teamed up on background vocals, as I sang the lead. After hours of working Andrew finally said that was enough.

"What a relief," I thought. I felt exhausted. Andrew seemed pleased about what we had done, but I was not. We had also worked on the b-side for awhile just to change the pace.

The song was Mick's and was called "Each And Every Day" and was easier to learn and sing than "All I Want Is My Baby", which Keith Richards had written. As we gathered our stuff together I shook everybody's hand and told Andrew that I was starting to get it and with a little more work we could probably record it.

He smiled and agreed and I felt somewhat better as Peter, Lee, and I departed. I don't remember if I ever talked to Andrew again after that day, but the rough track I was told was just for rehearsal was released on Decca records, as is, with a whole crap load of publicity and there was nothing I could do about it.



Each And Every Day by Bobby Jameon 1964

Thursday, June 24, 2010

Bobby Jameson



click

I began the bobby jameson blog by accident. I just started writing down the facts of my life one day, because they didn't exist anywhere except in my head. There wouldn't have been a reason to write down those facts if there hadn't been so much said about me that was inaccurate on the internet. I felt compelled, as I still do, to give my attention to the real history of Bobby Jameson.

In doing this, I opened myself up to being bombarded by all manner of things. By being here, it became apparent that there were people who wanted to make contact with me for a multitude of reasons. I should preface this by stating clearly that I crawled here to this blog by myself through hell.

I had no friends, no job, no health, no money, no support, no nothing. I had long since given up on human beings and their recklessness, which always came couched in the words "I care." My experience is that people care to the extent that they benefit from their caring, and that when, and if, their benefits are not fulfilled they quit caring. "I'll love if you love me back."

In the past I had been crushed by my need for human contact and understanding.... Over the years and decades that followed I learned to depend less and less on other people. I became a hermit of sorts, living day to day on whatever I could make work. I asked for little and received little. I worked at hard labor mostly and got paid for it.

I gave up on the fairy tale of Bobby Jameson pop star, singer/songwriter, and recording artist. I was a day laborer. I had no girlfriend, and for that matter, no friends at all to speak of. It had become crystal clear to me that my past was just that, my past, and had nothing to do with who I had become.

I left L.A. in 1985, a complete washout and has been, and migrated to San Luis Obispo County simply because my mother was there, and I had nowhere else to go. There were no friends, fans, or lovers left to seek out and rely on. The world had passed on me and I knew it. I was faced simply with surviving.

Survive I did. Over the course of eighteen years, none of it involving music or my past. Then in 2003 I was contacted by a total stranger who informed me that an old record of mine had been reissued as a cd. It was an album I had written and recorded in 1965 under an assumed name.

This single event caused me to come to the internet and try to correct what was being said about me. It took four years for that to happen, because it took four years to piss me off enough to get involved. In 2007 I showed up. One of the outgrowths of that was and is this blog.

Since then people who once knew me, and thought I was dead, have made contact with me through this blog. In some cases I have reciprocated by forming new bonds and relationships with them, and in other cases I have refused altogether. Some of these people are those who disappeared from my life in the 60's.

At the time I was not told where they went or why. I was left to figure it out for myself. I chalked it up to, "Well I guess I'm not too important to them." Now they are back, telling me how much they care, leaving me to fit the two halves together after forty years. I do the best I can with it, but obviously fail miserably at such a task.

Somehow I am expected to believe without question their current positions without any regard for the past, which is impossible. I flounder around trying to fit people into my life, a life of isolation and ill health. A life where my mantra has become "depend on no one but yourself."

There seemingly is not a lot of regard by them for how difficult a proposition this is to tackle. Not only do I not know how to to this, but wonder why I am even attempting it. With my past record of success with those who cared about me, this it seems is doomed to fail from the start.

I take full responsibility for any failure. I am the one who agreed to attempt this. Now that I am in the middle of it I see clearly how impossible it may truly be to do. I am not the person you remember. I am not Bobby Jameson from the 60's. I am Bobby Jameson forty years later. Bobby Jameson who died twice since you last saw me.

I am the person my history has made me. The person who learned to survive on nothing and no one. Without love, without tenderness, and without companionship. I am the person who was left for dead by everyone. I am the person who owes nothing to anybody at this point.

I got up and walked away from life. I left all that I had ever hoped for on some road to oblivion and just kept breathing. I closed the door on promises and dreams. I did this to survive. I turned myself to self-reliance and stayed sober through every bad thing that happened in thirty four years. For the most part, I did it alone.

I did not want to be alone, I just was. I looked for help and found none. I looked for love, and found none. I lowered myself down to the status of a common laborer because it was all there was. I learned to respect myself because of this. I was no one special just a worker...just a person.

Then strangers turned my world inside out because they wanted something. They wanted my work and they wanted me. Except they never asked if I wanted them. No one gave a good Goddamn about me and my life at that point. They just assumed they had the right to invade my privacy.

As I said, four years later I erupted in anger and came to the internet to object, and correct the record as it stood when I got here. Each subsequent event has been similar to the first. Little or no concern for my welfare. It mostly has been about them and not me.

Since then I find myself completely at odds with it all. I fight through each day simply surviving the latest crisis created by others. I sit for long periods trying to decide what it is I should do, say, and believe. I find myself dealing with ultimatums dropped into my life by others.

I who have learned at depth what to expect from human beings, am once again staring into the confusion and misery they have always created. I am guilty of each of the things I complain about... I am not innocent in any way. The difference between me and others is simply that I am aware of this human shortcoming, while others seem to deny it.

I know I am broken and bent, but I am faced with many who think they are correct and justified in what they do. I looked for no one.....I didn't believe anybody wanted to be found by me..... Those who found me, in some cases, were invited to join in my life, not to run it, or dictate to me how I should run it.

They are guests in my existence, because they chose to be.... I did not go out and round them up or pursue them in any manner. I was just here working...surviving and trying to create, for the first time, an accurate historical record of the life and times of Bobby Jameson.

Somehow by inviting people in to share in my endeavor, I again have made the same stupid mistake I made so many times before, trusting people. I trusted that they were aware of what was going on here. I trusted that they were here to help. I did not expect them to tell me what I was doing wrong, or how I was failing them. I am not failing anybody. I am here working day in and day out on the goal I set for myself.